These were made in the Thursday workshop group, ready for Remembrance Day.
Formerly Worthing Tuesday Embroiderers Guild
Back in the summer (can you tell that I’m having a catch-up?) we had a chance to see a pop-up exhibition of work by member Eileen Blaney. ‘Showcase a Member’ is a chance to celebrate the skills of an individual member of the group. It is always interesting to see the development of people’s work over the years, as we are all learning new things all the time. Eileen particularly enjoys traditional hand-stitch, and she showed us some examples that reminded us of the wide range of skills that she has. She has always been supportive and enthusiastic about encouraging beginners, which is very much appreciated by members. Sewing and embroidery have been part of Eileen’s life for many years, as illustrated by the photo of her wedding dress and the delicately pin-tucked baby’s christening dress that the family’s children have all been christened in. Thank you for bringing in your lovely work to show us Eileen!
Kate Findlay kept us interested and entertained in her talk to the group this month. Kate spoke about her textile art, and she introduced us to several of her sources of inspriation which have each led to a ‘series’ of artworks. Her work features fabric collage with stitched details, often with the natural world as her inspiration, particularly plants and birds. A notable exception to the natural world as inspiration was a whole series that she made based on the ‘Hadron Collider’, the world’s biggest and most powerful particle accelerator. This work featured circles within squares, with meticulous detail featured in a series of big wall-quilts. It generated a lot of interest and was published in magazines all over the world. Other ‘series’ of work have been based on the town, river banks and people of Henley, as well as winter landscapes and birds. Kate told us about some of her processes and techniques, including showing a couple of videos of a piece of work through the different stages from initial background to main outlines, and finishing with detailed embellishment and stitch. The last photo below shows a close-up detail of a technique she calls ‘confetti’, which she uses to create texture and detail, for example in trees. There was great interest in her work, and enthusiasm to request a workshop for the group in the future.
What a wonderful trip we had this month to DSI London, where the amazing costumes are made for Strictly Come Dancing, as well as other extravaganzas such as Moulin Rouge and Broadway shows. We were treated to a very entertaining and vibrant talk first, accompanied by a glass of prosecco which set the scene for a lively morning. We were amazed by the quick turnaround for the Strictly costumes. The designers are told on Monday which dancers will be dancing that week, what dances they will do, and what themes are required for the costumes. Each costume for each dancer, for each dance, has to be designed, made, embellished, fitted and altered ready for a full dress rehearsal on Friday morning. The huge workroom upstairs was a hive of concentration and activity, with works of art being created at each work station. We were also shown round the enormous stock room filled from floor to ceiling with the most wonderful fabrics, in amazing colours. What a treat for anyone who loves bright colours and bling! Lots of photos below – scroll down and enjoy the colours.
If you were a member way back when, you may have stitched one of these ‘Rainbow Squares’. It was a regional project where individual members of each group embroidered a square in the colour allocated to their group. They were then assembled in ‘chains’ and hung alongside the different colours from the other groups. You might like to know that they have been gathered together again, and exhibited at the Guildford House Gallery in Guildford (ours are the dark green ones). I saw them all together once a few years ago, and they look amazing in real life. You can see them there from today until to June 15th. It’s a long way to go, but Guildford is a nice place for shopping and a day out. Apologies for the quality of the photos (they lost quality through being emailed to me).
What a delightful morning we had at Worthing museum, enjoying a ‘show and tell’ session with Gerry Connelly, Head of Museums and Exhibitions. Gerry started his career in fashion design, before specialising in the History of Fashion. Gerry was the perfect person to show us some of the wonderful items that are owned by the museum but are not usually out on display.
Gerry started by showing us the oldest item in the collection, a blackwork jacket dating from 1610. It’s amazing that it is so well preserved.
We had a wonderful range of items to look at closely, and it’s lovely to see them without the reflections that you get when they’re behind glass. A couple of Elizabethan dress items: a fragment of embroidery that was probably originally on a jacket, and an embroidered glove that was probably given as a symbolic gift rather than for regular use, although it was interesting to see the signs of wear on the underneath.
We saw a stunning embroidered waitcoat that could have come straight out of ‘The Tailor of Gloucester’ story, with stitching so fine that it could well have been stitched by mice.
It was lovely to have time to study the details, and we could have happily stayed there all day.
Gerry brought out an embroidery called ‘The Warwick Street Embroidery’, which was stitched by our group in 2004. We had searched for it and no-one was sure where it was, but we were delighted to see that it is in the safe care of the museum. The embroidery was created by cutting up a historic photograph of Warwick Street, and distributing the cut-up rectangles to individual members to stitch. It was then re-assembled to re-create the picture. The names of the individual embroiderers were stitched on the back.
Lunch together afterwards was a lovely way to end the visit. Thanks to Chris for organising it all.