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At our April meeting we welcomed Emily Jo Gibbs. Emily told us of her journey into the world of textiles. her mother was a strong influence but persuaded her to do other subjects at University as she could teach her the textile side. Emily studied plastics, woodwork and metals for her degree. on graduating she studied shoe making and leatherwork. Her degree show collection was bought by a Japanese copmany and that set her up in her own business making bespoke handbags. Emily continued with her business for ten years and then had a change of direction when she won an award fropm craft central to create a whole new lot of work based on the nature table using silk organza and metals. Her silver birch cnisters are an example of this work.  Emily then started making portraits of her family using silk organzas layered and stab stitched together. The results are equisite and very delicate.

The hall was full for our talk this month by Wendy Dolan. Wendy is well known to many of our members; she is a go-to tutor for machine embroidery courses in our area, and there were many of her current and former students in the audience. There were quite a few new visitors who came along specifically to hear Wendy’s talk.

Before focussing on her inspirations and techniques, Wendy touched on some of the highlights of her textile journey. Starting as a child with cross-stitch and dressmaking, she was then taught traditional hand embroidery by a local embroiderer after school. This led her to a B.Ed. degree in art and textiles, where she was introduced to free-machine embroidery. One thing led to another, and she has had a varied and successful career in textile art and teaching ever since. She shared some highlights, including making two enormous curtains for cruise ships, exhibiting internationally, publishing articles and books, and showing her work and leading workshops at all the big textiles shows.

Wendy described some of her sources of inspiration, which include landscape, architecture (doors, windows, arches, tiles, columns, spires, domes etc. ), people, fashion, nature (flowers, trees, lichens etc.), museums, maps, travel and many more. Some are consciously recorded with photos and sketches, and others are absorbed more subconsciously. She spoke about looking more closely at the details and textures, and focussing on particular areas of a picture.

Wendy brought samples with her that show the different stages that her work goes through, starting with un-dyed fabrics, pinned into place and then stitched down in white. Then a rough colour experiment is done with collaged paper and paint, and this is used as a guide for adding colour to the fabric with water-based fabric paint.  Additional texture might be added with Xpandaprint (puff paint), fresco flakes, and horticultural fleece which irons onto the fabric and resists dyes (and makes good clouds). After that, more detail is added with the sewing machine.

Fragments of maps may be added by using an inkjet printer on fabric, ironing it temporarily onto freezer paper and taping the top with masking tape so that it will go through without wrinkling (Wendy recommends that if you share a printer with someone else, you wait until that person is out of the house so they don’t see what you are doing!) This method of printing is colour-fast if the fabric is first treated with Bubblejet 2000 solution, or you can buy ready-made fabric transfer sheets for the printer. All very useful information!

 

Wendy likes to play with colour: sometimes she makes a very natural-looking landscape, and at other times she likes to play around with the colour-range, encouraging people to move away from restrictions such as thinking that grass must always be green.

Wendy had just come back from leading a specialist textiles trip to India. She showed us some lovely samples that were inspired by those trips. If anyone is interested in trying these, or any other of Wendy’s techniques, you can find details of workshops on her website: https://www.wendydolan.co.uk/

 

What a lovely relaxing day at our monthly meeting, which this month was a sit-and-stitch afternoon. Speakers are interesting and stimulating, but sometimes it’s also good to have time to catch up with people and stitch in company. Daphne kindly led a ‘Stitch Corner’ session, making strawberry brooches. Scroll down for some photos of the group working on their brooches, and at the end a finished one that was stitched by Michelle.

This exhibition is coming up soon. It’s in Ramster Hall, a lovely 17th Century manor house in Surrey. The exhibition will be open from Friday March 1^st until Sunday March 17^th every day from 10 am until 5pm. The tea room will be open at the same time. There are two large halls of embroidery / textile art exhibits, with a wide variety of styles. I know of 6 SCS members who are taking part. It’s a good day out, and the cakes are good!

We had a great talk yesterday by Gail Lawther. There’s a description of it on our FB page, so I won’t duplicate that here. Gail didn’t want her work photographed (sadly, people sometimes steal other people’s designs) so this month I can’t post any photos here, except for this one that she kindly let Chris take. Gail is running a workshop for us on 15th March, making wall-quilts based on ‘twilight silhouettes’. There are still a few places available, although it is booking up fast so talk to a committee member if you would like to book a place.

Several members have said to me recently that they don’t feel confident going on workshops that involve the sewing machine. If you want a gentle introduction to machine embroidery, Esther Collins is starting a new course near Pulborough (not too far from sunny Worthing) where she will start with the basics and take you through it step by step. It’s six evenings in February and March. It should give you the confidence to join other workshops such as the one by Gail Lawther above. Details in the link below.

https://www.esthercollins.co.uk/workshops?utm_campaign=dcb49fc2-65a3-4439-81ab-9a16aab0812e&utm_source=so&utm_medium=mail&cid=44369027-b19e-4bee-8192-80108fdb541d

Our December meeting was a ‘sit and sew’ afternoon. There was lots going on; there was a pop-up exhibition of Swiss-themed embroidery, and Swiss-themed cakes and biscuits, as well as ‘Stitch Corner’ where Daphne kindly showed members how to create a stump-work strawberry brooch. I took lots of photos of people stitching, but none of the strawberries so if someone would like to send me a strawberry photo then I will add it.

There were lots of wonderful entries to the ‘Visions of Switzerland’ pop-up exhibition. This was in celebration of the life of SCS member Viviane Proyer, long-standing member, accomplished embroiderer, and friend to many. An earlier post here includes an account of Viviane learning to sew in Switzerland as a child. You can read it by clicking the link here. There were lots of entries, and some very varied images and techniques. There was even a fully-functioning felted cow-bell! I’ll let the images speak for themselves; scroll down to see some lovely and imaginative work.